1,478 Royalty-Free Audio Tracks for "Midi Music"

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*Major fourth (Eleven quarter tones) on C = F or G. 211/24:1 = 550 cents. MIDI pitch bend: 0,80 Preceded by:File:Nine quarter tones on C.mid

*Hundred-sixty-fifth harmonic on C = E↑. Just: 165:128 = 439.59 cents. Limit: 11-limit. MIDI pitch bend: 85,76

*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78

*1 step in 60 equal temperament (10th tone) on C. Equal-tempered: 21/60:1 = 20 cents. MIDI pitch bend: 51,70

*Acute minor third on C = Eb+. Equal-tempered: 2243/200:1 = 337.15 cents. Limit: 5-limit. MIDI pitch bend: 114,75

Narrow diminished sixth on C (Abb-), 1024 : 675, 721.51 cents.

Wolfgang Amadeus Mozart, Eine kleine Gigue, KV 574

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

*10 steps in 17 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 210/17:1 = 705.88 cents. MIDI pitch bend: 113,65

*12167th harmonic on C = E+. Equal-tempered: 24/12:1 = 684.82 cents. Limit: 23-limit. MIDI pitch bend: 18,91 on TT

*18 steps in 19TET on C = B♯ (Easley Blackwood's notation). Equal-tempered: 218/19:1 = 1136.84 cents. MIDI pitch bend: 101,75

*Two-hundred-third harmonic on C = A♭+. Just: 203:128 = 798.40 cents. Limit: 29-limit. MIDI pitch bend: 62,95 on P5

*Two-hundred-ninth harmonic on C = A↑♭. Just: 209:128 = 848.83 cents. Limit: 19-limit. MIDI pitch bend: 80,79

Motivic repetition in Beethoven's (1770–1827) Sonata in F major, op. 10, no. 2.

G harmonic minor scale ascending and descending.

C-sharp harmonic minor scale ascending and descending.

G natural minor scale ascending and descending.

G melodic minor scale ascending and descending.

C-sharp melodic minor scale ascending and descending.

Piano Sonata No. 8 third movement (Rondo: Allegro) 17 KB, 4:25 minutes.

C♯ natural minor scale ascending and descending.

D-sharp melodic minor scale ascending and descending.

D-sharp natural minor scale ascending and descending.

F harmonic minor scale ascending and descending.

Melodic and harmonic intervals. Created by Hyacinth (talk) 15:19, 18 March 2011 (UTC) using Sibelius 5.

D-sharp harmonic minor scale ascending and descending.

D harmonic minor scale ascending and descending.

G-sharp melodic minor scale ascending and descending.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

*Major second on C = D. Equal-tempered: 22/12:1 = 200 cents. MIDI pitch bend: 0,64

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Alle, die mit uns auf Kaperfahrt fahren

Johann Sebastian Bach, Kantate 87:6, Tenorarie Ich will leiden, ich will schweigen

A-sharp melodic minor scale ascending and descending.

F natural minor scale ascending and descending.

A-sharp harmonic minor scale ascending and descending.

B-flat harmonic minor scale ascending and descending.

B-flat melodic minor scale ascending and descending.

F melodic minor scale ascending and descending.

F♯ natural minor scale ascending and descending.

D melodic minor scale ascending and descending.

D natural minor scale ascending and descending.

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

Diatonic scale on C, transposing clef.

A Down Home Shout (1907), by Herman Carle

Diminished seventh chord on C

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.